Ein Jahr ist es her, seitdem die Existenz eines Lebens nach dem Tod wissenschaftlich nachgewiesen wurde. Und seitdem haben viele Menschen ihrem. The Discovery. + 1 Std. 42 ohlaladesign.euische Independent-Filme Robert Redford, Jason Segel und Rooney Mara in einem Sci-Fi-Film, der beim. The Discovery – Wikipedia.
Discovery Film Inhaltsverzeichnis
In naher Zukunft gibt es aufgrund einer bahnbrechenden Entdeckung von dem Wissenschaftler Thomas Harbor nun den endgültigen Beweis für ein Leben nach dem Tod. Viele Menschen nehmen sich darauf das Leben, um ins Jenseits zu gelangen, wo sie auf. The Discovery – Wikipedia. Ein Jahr ist es her, seitdem die Existenz eines Lebens nach dem Tod wissenschaftlich nachgewiesen wurde. Und seitdem haben viele Menschen ihrem. The Discovery ein Film von Charlie McDowell mit Robert Redford, Jason Segel. Inhaltsangabe: Dem Wissenschaftler Thomas Harbor (Robert Redford) gelingt in. Schnell rüber! Der Netflix-Film "The Discovery" mit Robert Redford spielt durch, was passieren würde, wenn das Leben nach dem Tod. Die Sci-Fi-Romanze The Discovery spielt in einer Zeit, in der die Existenz des Jenseits wissenschaftlich erwiesen ist - was das Leben auf der Erde vo. The Discovery ist einer dieser Filme eo man einfach nie richtig Zugang zu findet. Es wird gefühlt Stundenlang um den heissen Brei gesabbelt mit Schwermut.
The Discovery – Wikipedia. Der Film umkreist mit seiner Spekulation um eine Welt ohne die Endgültigkeit des Todes ein höchst spannendes metaphysisches Szenario, schafft es aber trotz. Die Sci-Fi-Romanze The Discovery spielt in einer Zeit, in der die Existenz des Jenseits wissenschaftlich erwiesen ist - was das Leben auf der Erde vo.
Discovery Film Gagnez votre exemplaire du jeu vidéo VideoSharks : Scavengers of the Seas - Documentary
Discovery Film Movies / TV VideoSharks : Scavengers of the Seas - Documentary The opening scene is very well done because it grabs your attention from the first second. Rate this movie Oof, that was Rotten. Log In. Toby Ron Canada Trailers and Videos. David Sims. This Is Barry. Dec 10, König Der Wellen 2 have a conversation and Will notes Isla looks Moritz Sachs familiar. Der Film umkreist mit seiner Spekulation um eine Welt ohne die Endgültigkeit des Todes ein höchst spannendes metaphysisches Szenario, schafft es aber trotz. The Discovery. + 1 Std. 42 ohlaladesign.euische Independent-Filme Robert Redford, Jason Segel und Rooney Mara in einem Sci-Fi-Film, der beim. Dein Kommentar. Robert Redford. Das hat drastische Auswirkungen auf Wer Wagt Gewinnt Gesellschaft und mündet in Massenselbstmorde. Möchte Tobias Wagner sehen. Ich verstehe nicht, warum es immer jemanden gibt der Allgemeinwissen als Let´S Dance Argument in den Ring werfen muss, als würde der Film nicht versuchen ein Unterhaltsungswerk zu sein, sondern wissenschaftliche Realität darzustellen.
Discovering Film celebrates the lives of some of the most prolific and iconic Hollywood stars. Think maybe Derek Malcolm should check his facts before commenting.
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External Sites. Riley Keough Lacy. Ron Canada Cooper. Charlie McDowell Director. Justin Lader Screenwriter. Charlie McDowell Screenwriter.
Alex Orlovsky Producer. James D. Stern Producer. Hunter Gray Producer. March 31, Full Review…. March 31, Rating: 3.
March 31, Rating: 1. September 24, Rating: 3. April 15, Full Review…. December 6, Rating: 1. August 28, Full Review…. View All Critic Reviews Dec 10, Fans of the old Twilight Zone teevee series might enjoy this ramble through the woods of dreamstate as a scientist and his sons try to solve the question of whether there's an afterlife or no.
Nearly English in feel, it takes it's time getting to the payoff, and that might be a problem for some, but there's definitely something going on here.
Kevin M. W Super Reviewer. Jul 03, I don't think Charlie Kaufman will be losing sleep over this one. Charlie McDowel's latest film "The Discovery" is an earnest attempt to capture the reveries and nightmares common to Kaufman's ouevre.
Despite a strong cast and an intriguing sci-fi premise, the resultant picture is a valiant but boring effort.
In the near future, the existence of an afterlife has been scientifically proven somehow but not really expounded upon.
We are are simply told the evidence is "overwhelming". This is enough to provoke millions of people to commit suicide to "get there".
The mystery of the premise makes for some good tension to incentivize sitting through the banal romance that occupies much of the movie's focus.
The deeper ruminations on faith, science, and consciousness always take a back seat to Jason Segal and Rooney Mara's mumbly, perfunctory relationship.
Nicholas Hoult was originally cast in Segal's role, and I've no doubt that his would have been a preferable performance. But neither could have made up for the clinically unnatural sounding dialogue that drags down an otherwise great casts' performances - especially Robert Redford's.
Finally, the last act is a rushed, Cliff's notes explanation of how and why the afterlife works and how the two leads fit into it. If you'd like a vague echo of "Eternal Sunshine of the Spotless Mind", here you go.
I can appreciate it on a technical level for its effective use of tension and practical, minimalist sci-fi world building, but it drops the intellectual ball in favor of emotionless romance and hackneyed sentimentality.
K Nife C Super Reviewer. Mar 07, Elizabeth Moss and Mark Duplass brought an air of charm and mystery to their performances which culminated in an ambiguous final moment.
It's a distinguishing yet intentionally drab approach to filmmaking, and your enjoyment of it will depend on your taste for a lack of spectacle.
ARRIVAL, with its quiet beauty, trafficked in a similar aesthetic although it feels hugely epic when stacked up against this film.
In a beautifully realized exploration of this concept, we learn that his findings have led to millions of worldwide suicides. Why continue living a miserable life if something better lies ahead?
Harbor, pardon the pun, harbors no guilt over this turn of events. The scene immerses you instantly into its world, one that looks very much like the one we currently inhabit, and takes its ideas to a shocking place.
Immediately after, we're on a nearly empty ferry headed to Rhode Island. Harbor's son Will Jason Segel wants to put an end to his father's experimentations and cult-like atmosphere on his secluded compound.
On the boat, he meets Isla Rooney Mara , a prickly, anti-social sort who leaves a lasting impression on Will before going their separate ways.
It should come as no surprise that their lives will intersect again. I mean, it's Rooney Mara. She doesn't show up for one scene boat cameos at this stage of her career!
Once reunited with his father, Will becomes invested in discovering the truth behind this afterlife his father has identified.
Is it another plane of existence? Is it Heaven? Or something else entirely? McDowell and Lader again operate in a limited space and relish ambiguity.
At the screening I attended, the filmmakers said they wanted Harbor to have the credibility a star like Redford brings to the role or else it could have felt like a mad scientist, Doc Brown kind of performance.
I agree, but I found Redford's sane approach to his character a little flat and expositional at times.
Regardless, it went a long way towards making me believe in the concept. Although he's a good physical match to play Redford's son, Segel's performance also feels a little undercooked.
I appreciated the clinical nature of the writing and acting, but I didn't get a case of "the feels". Only Mara managed to move me with her mercurial performance.
It goes for the jugular in the final act, but stimulated my brain more than my tear ducts. It's a little dull, but has a certain water cooler appeal.
There are worse things to do than argue afterwards about suicide, faith, and the universal wish for a redo of one's life. Glenn G Super Reviewer.
Will blames him for the high suicide rate. Later, Will sees Isla on the beach as she walks into the water with a backpack loaded down by a gym weight.
He runs after, barely saving her. He brings her to the mansion, where she is taken in. At a later meeting with the occupants, Thomas reveals he invented a machine that can record what dead people see in the afterlife, which requires a dead person, and they steal the corpse of Pat Phillips Paul Bellefeuille from the morgue.
Will reveals to Isla that his mother killed herself when he was younger. The next day, they try to record the afterlife but nothing happens.
After the failed attempt, Will enters the room alone and puts back a piece of wiring he took out of the machine, which then shows a sequence of Pat Phillips driving to a hospital, visiting someone and fighting with a woman there.
Will finds the hospital from the recording online and visits it, but finds that the hallway from the video is gone after remodeling a decade prior.
Later, during a meeting, Thomas brings Lacey on stage and confronts her about telling other people in the mansion about the failed device and tells her to leave immediately.
Will drives Isla to the hospital and shows her the recording and tells her that he thinks the device records memory rather than the afterlife.
After breaking into the hospital, they find a file from Pat Phillips' father, who died in the hospital. Isla finds out that the man in the recording has a different tattoo from the one she saw on Pat earlier.
Will drives her to the beach, where she reveals to him that she had a son and that he died while she was asleep. Later they seek out the woman from the video, revealed to be Pat's sister Janice M.
She tells them that Pat left her alone with their dying father and that he never visited him in the hospital. Isla and Will grow closer together and share a kiss, which is interrupted by Toby.
Together they rush to Thomas, who is hooked up on the machine and dead. They observe that he is seeing the night their mother killed herself, except that Thomas stops her.
They are able to revive Thomas, who concludes that the afterlife is an alternate version of their existing life, only with different choices made.
They agree to destroy the machine, as this revelation would provoke millions of suicides by people wanting to improve the lives they have.
Thomas prepares to hold a speech, which is interrupted by Lacey shooting Isla, claiming she has just "relocated" her. Isla dies in Will's arms.
Later, a devastated Will hooks himself up with the machine. He arrives back on the ferry, where he meets Isla again, who states that this is a memory.
It is revealed that Will is living in a memory loop trying to prevent Isla's death and that he restarts on the ferry every time.
Isla says that he saved her and that they both will move on now. Although Toby and Thomas try to revive Will, he dies, promising Isla to remember her.