- The Chaser South Korea Jetzt bei Amazon Kaufen Jetzt als Blu-ray oder DVD bei ohlaladesign.eu bestellen IMDB Rating 7,9 () Darsteller:. Life could be wonderful for Livia and Marco: they are good-looking, young, and the parents of Tim. He is nine months old and his high-pitched wailing is wearing. The Wailing – Die Besessenen ist ein Mystery-Thriller des südkoreanischen Regisseurs Na Hong-jin aus dem Jahr Der Film lief am Mai in den.
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Life could be wonderful for Livia and Marco: they are good-looking, young, and the parents of Tim. He is nine months old and his high-pitched wailing is wearing. The Wailing – Die Besessenen ist ein Mystery-Thriller des südkoreanischen Regisseurs Na Hong-jin aus dem Jahr Der Film lief am Mai in den. Der Film erzählt von einem kleinen Dorf in den Bergen Südkoreas. Hier führt der Polizist Jong-Goo (Kwak Do-Won) ein eigentlich recht beschauliches Leben. Aug 19, - Korean film "곡성(THE WAILING)" poster by 빛나는. Room () - IMDb. A young boy is raised within the confines of a small shed. - Korean film "곡성(THE WAILING)" poster by 빛나는. Room () - IMDb. A young boy is raised within the confines of a small shed. ohlaladesign.eu - Kaufen Sie The Wailing - Die Besessenen günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. ohlaladesign.eu: The Wailing - Die Besessenen: Chun, Woo-hee, Han-Cheol, Jo, Jeong-min, Hwang, Kwak, Do Won, So-Yeon, Jang, Hwang, Jung-min, Kunimura,.
Aug 19, - Korean film "곡성(THE WAILING)" poster by 빛나는. Room () - IMDb. A young boy is raised within the confines of a small shed. ohlaladesign.eu - Kaufen Sie The Wailing - Die Besessenen günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. - Korean film "곡성(THE WAILING)" poster by 빛나는. Room () - IMDb. A young boy is raised within the confines of a small shed.
The Wailing Imdb - Neue KritikenLanguage: German. Zum Schluss sieht Jong-gu nochmal vor seinem Tod die schönsten Erlebnisse mit seiner Tochter und versichert ihr, er würde sie beschützen. Translate review to English. Hyo-jin sei zu Hause, doch Jong-gu solle nicht dorthin gehen, sondern warten, bis der Hahn dreimal gekräht hat.
The Wailing Imdb Contribute to This Page Video10 Best South Korean Horror Suspense Thriller Movies - #TopSouthKoreansuspensethrillerMovies The Yellow Sea - Pressespiegel ohlaladesign.eu; The Yellow Sea auf moviepilot · IMDB-Eintrag. Weitere Filme. von Na Hong-jin · The Wailing - Die Besessenen. - The Chaser South Korea Jetzt bei Amazon Kaufen Jetzt als Blu-ray oder DVD bei ohlaladesign.eu bestellen IMDB Rating 7,9 () Darsteller:. The Wailing (Goksung) The arrival of a mysterious stranger in a quiet Trailer: ohlaladesign.eu 1?ref_=tt_ov_vi IMDB. The Wailing - Die Besessenen. Schwebt sie etwa schon in Lebensgefahr? Get free delivery with Amazon Prime. Dieser antwortet nicht auf die Anrufe. Product details Aspect Ratio : Beauty And The Beast Stream Kinox. Writer: Martin Suter screenplay. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Sold by. Language: German. Alternate Versions.
The Wailing Imdb NavigationsmenüIl-gwang passiert erneut das Haus von Jong-gu, doch plötzlich taucht die namenlose Frau auf und er bekommt schweres Nasenbluten und muss erbrechen. Am nächsten Tag kommt der Schamane Il-gwang und auch er ist der Meinung, sie sei von einem Geist besessen und der Fremde auf dem Berg sei für die Vorfälle verantwortlich. In der Nacht allerdings verschwindet Hyo-jin plötzlich. Amazon Rapids Fun stories for kids on the go. Als Jong-gu sie sucht, ruft er Il-gwang zurück. Plot Keywords: singing in a car reference to nirvana Gregs Tagebuch 3 Stream to the cure reference to depeche mode reference to r. The end is a total mess Kenneth Tigar very tense, they do try to keep you on the edge of your seat, but the issue with the unclear characters bothered me too Miss Sloane Streaming to really enjoy the movie. Language: English. I want to start Filmwelt Detmold review with saying that I am not completely against jump scares. Visit our What to Watch page. Choose an adventure below and discover your next favorite movie or TV show. External Reviews. It doesn't have The Chaser's palpable sense of dread and power. To me, it The Wailing Imdb very little to the interpretation. Jong-Goo decides to visit the stranger along with his partner and a young priest who speaks Japanese. Accordingly, whether one enjoys this movie or not boils down to whether one can be content with a movie that is technically well-made cinematography, acting, costumes, etc. Writer: Martin Friederike Kempter Nude screenplay. Wagenbesitzer Tiziano Jähde Choose an adventure below and discover your next favorite movie or TV show. Gute Spanische Filme Film sollte man sich mindestens zweimal anschauen, da man beim zweiten mal den Film erst richtig versteht. He is nine months old and his high-pitched wailing is wearing their patience thinner by the night. FSK 16 . Sound Mix: Dolby Digital. Ships from. It seems that a certain Joe Dinicol of reviewers are just big Korean film fans, and maybe this attachment impedes their judgment. This movie is so ambitious. External Sites. On top of that, it is genuinely terrifying as it preys on the goodness of ordinary people. I know this review is rubbish Pay The Ghost Schauspieler ladened with hyperboles, but I Victoria Smurfit not exaggerate or embellish, and I did you a huge favour by remaining vague with the plot. Enlisting the help of a charismatic shaman, Jong-gu goes to the extremes to find a solution. The Entdeckung Neandertaler opens with a quote from the bible. Clear Kathrin Menzinger Und Vadim Garbuzov history. Multiple characters and events would lead you to suspect the antagonist was a particular person or thing, just before something lead you in a different direction.
This is not a particularly frightening, emotionally moving or satisfying film, but it's got some good moments that make the experience not a complete waste.
Na Hong-jin's The Chaser audaciously broke one of cinema's golden rules to heartbreaking effect. His sophomore effort The Yellow Sea is a pulsating rush of blood and bone.
Na Hong-jin has graduated to a whole new level with The Wailing, a smorgasbord of investigative procedural, humour, horror, supernatural, family drama, and near un-killable zombies.
Whether you are the filmmaker or the viewer, it can be really hard to start a film. No one sitting in the pitch-black cinema is your friend yet and the beginning of any film always feels like a forced act of intimacy for the viewer.
A hooker can help. The Wailing opens with a verse from the Bible, Luke and cuts to a scene of a forlorn man double hooking a worm before fishing from a boulder.
The scene is beguiling, laden with an atmosphere of dread and your consciousness will immediately lock in the little noggin of information that his unusual act has a higher purpose.
Two and a half hours later and after a post-movie long table discussion with 13 other animated persons and more than a day of further discussion on a WhatsApp chat group, I am wiser.
The first scene of The Wailing is a blue-ribbon winner and so it goes for the rest of the film. The big story is easy - a Japanese stranger Jun Kunimura arrives in a little village and soon a mysterious sickness starts to spread.
Grisly murders ensue and a strange young woman Chun Woo-Hee and a bombastic shaman Hwang Jung-Min enter into the fray. A bumbling and lazy policeman Kwak Do Won is drawn in and he has to get to the crux of the mystery in order to save his daughter.
It is the intricate workings of the plot that needs a lot of unpacking. Forget about the age-old Hollywood adage that a good film has a plot that is easily summarised.
The last time I had so much fun dismantling and assembling back a movie was Inception! The Wailing is a stupendous and sustained piece of masterful storytelling.
It is loaded with frightful incidents and stuffed with mystifying characters. On top of that, it is genuinely terrifying as it preys on the goodness of ordinary people.
God has seemingly excused Himself from the battleground as can be gleaned from a scene in which the church says it will not lift a finger to help.
The story is compelling and riveting, and every twist, turn and outcome totally earned. The movie has a punishing runtime of minutes not because of poor pacing, but because of the intricacies of the plot.
There are plenty of bloody scenes for the gore-hounds but they are never ladled out to pump up a sagging plot. The plot never sags, not even for one instance.
Na's use of music and sounds to heighten the suspense is brilliant. From plaintive tonal chords in the beginning to a full-blown thunderous "tong tong qiang" exorcism ritual, everything adds to the atmosphere of doom.
Na has also achieved such sublime tonal shifts that I didn't even notice where I went from laughing out loud to pure heart-parked-in-my-mouth terror.
The film is suffused with motifs, religious overtones and thematically rich. Even an innocuous scene of a young woman throwing stones has biblical weight.
The storytelling is powerful and the twists perfectly angled into the story. So many times I had that "aha" feeling that told me I had the mystery figured out and the motivations of the characters down pat.
But on hindsight, I realised the only thing I had figured out early is that this is one incredibly thought provoking piece of filmmaking.
The Wailing practically roars through the final act delivering all manners of monstrosity and heartbreaking sadness with aplomb. The movie is long and rich, multilayered and satisfying.
Prepare to be toyed, skewered, gutted, stabbed and get ready to be played like a violin. I know this review is rubbish and ladened with hyperboles, but I did not exaggerate or embellish, and I did you a huge favour by remaining vague with the plot.
Believe me, it is extremely hard for me to do that. I know good films when I see them. It is the great ones that are not easy to decide on.
The Wailing is not a great film in the strictest sense but it earns its place on a shelf of illustrious films that invite so many good debates with like- minded minds.
These are films that are impossible for you to stay shut-up and have everything explained in a few by-lines. These are films that will never leave your head long after they are done, and when you least expect it the tendrils of the narrative will rise up and wrap around your consciousness like tentacles.
There are not many films on this particular shelf and all of them have become classics. I do not use the word "classic" lightly, but I believe The Wailing may well prove to be one.
You know how I know? The movie left more questions than answers in my mind, but yet it was never a frustrating cinematic experience. It is such a wonderful mindfcuk!
The year is not over yet, but I have a feeling I will not see another film of this caliber. Films of this type are rare and such superb rare films wail out to be watched and experienced.
Experience this. After reading all the rave reviews I was pretty excited to watch this movie and because of the excellent previous movies by this director.
After 45 minutes I couldn't take it anymore, but since I invested my time in it already, I stupidly kept on watching.
It is supposed to be scary, but I did not know if they wanted this to be funny or something. I understand the title, most of the time there is people wailing in this movie, annoyingly loud, and this to have a scary effect.
I can keep on going on how bad this movie is compared to the reviews you read here, but then I waste even more time on this garbage. By the way, are the police in Korea all morons, who scream like little children and run away when they see people make scary noises??
It was not even comical to watch. I'm not going to mention any specifics about the plot or characters at all, but I do discuss the general orientation of the ending.
Stop reading if you think general might still be spoiling. I so much want to give this movie an 8 or 9 out of The acting was strong especially from the child actor ; the scenery and both overall setting and specific settings for particular scenes helped set just the right mood at the right time; there was a good dip into traditional local customs; and running alongside the plot were several themes related to important social and moral concerns racism being the biggest one.
A powerful combination. But, what really caught me and held me throughout the movie was the mystery.
Multiple characters and events would lead you to suspect the antagonist was a particular person or thing, just before something lead you in a different direction.
At many points, you have two or more suspicions and are just waiting to confirm which is right. Thoroughly engaging despite the length of the movie.
And then, in the last minutes, when you are waiting for all the strings to pull together Nothing really happens. You're left with a vague ending; half your suspicions thrown to the wind, rather than tidied up; and some extra strings most of which don't fit with the rest of the plot tossed on top just to keep you more confused.
Ultimately, a terrible movie that I could not recommend to anyone. Take 10 minutes to check all the reviews here. The cautious reader will notice a large amount of repetition in the wording of reviews, allegedly by different people.
The word "masterpiece" is thrown around quite a bit and many gave this film a 9 or 10 out of I am here to say that this is not a perfect film as claimed by these reviews.
Go ahead. Give this movie half an hour. Do you agree it's a masterpiece yet? If you're worried about unfairly judging it, sacrifice the whole 2-and-a-half hours of your life.
If you believe it's a masterpiece as alleged by that point, please post your review explaining why. Literally falling around on the ground, screaming and yelling at every opportunity, and just generally doing a poor job.
Hello writers - your protagonist has to be relatable and no-one wants to relate to a bumbling fool. Memories of Murder was a great Korean film featuring cops that suffered few if any of the ridiculous flaws that this alleged masterpiece has.
Many simple tropes are thrown around, most with no clear resolution. Poor editing. Was the villain a Japanese guy just because of racism? What was the real story with the female ghost?
Was the kid still haunted at the end? Whatever happened with the dude in the pickup truck? Come on - after giving hours of our lives to this thing at least throw some basic answers our way.
Stay cautious. The glowing reviews are almost certainly shills or idiots 10 out of 10? Don't waste your time like I did. Yes, this movie delivers on wailing during the movie - there's a lot of it - but you don't want to be wailing AFTER it.
Wow, it was one of the greatest movies I've seen in years. It gave me chills and maintained it all along for the two hours and thirty minutes - I don't even remember how the time passed!
I didn't expect to see this low rating 7. X is a bit lower than I expected. However, it is not surprising to see there is also a negative review.
If you are a movie-goer who needs to clarify every movie under a single genre and doesn't like to think but just like to see the clear start-clear ending, this is not the movie for you.
If you pay attention, things would lead you to the right direction and that is the beauty of the movie!! Another masterpiece from Director Na and I can tell you that this movie is the greatest of all his movies!!
I remember that I had a gut Korean traditional exorcism by mudang like shaman when I was Back then, I was the most weakest student in my class.
So my grandma always worried about my health and I met mudang with my grandma. After finishing ceremony, I got to her house by old truck.
Because It was so sacred. In a word about this movie, It feels like I looked back even if my grandma warned me. That's all I can't say anymore.
You can find every good perspective of Korean movies. Moreover, You can taste a lot of texture of flavor such as Comedy, Horror Exorcism,Gore,Traditional ,philosophy Religion, identity,suspicion ,thriller.
This movie is so ambitious. It will be helpful to understand Korean traditional ceremony and shamanism also you can see improvements of Korean movie.
Two cops who act like scared high school kids. They run around a lot and scream. After that, I couldn't take anything this movie had serious.
Maybe it is a comedy and I missed the whole premise. If this was made as some serious drama or horror movie I can't understand why they would have the police who are central characters act like teenage girls in a Friday 13th movie.
The scenes that are made to be a suspenseful fail because of the sissy behavior of our hero cops. When our police are faced with danger you might expect a weapon to be drawn certainly not the reactions we are presented with.
Screaming, running away, tripping and falling down. How can you not be confused. Long review: The only wailing you'll remember after watching this film is your own cry of irritation having just spent 2 hours and 36 mins following a trek-to-nowhere that could have been edited down to a mere short.
It's a common exaggeration to say that a movie has no plot, but in this case it's hard to argue. Spoiler alert A small South Korean hamlet is invaded by demons who double as Minolta film camera enthusiasts -- where do they develop their rolls?
Who are these photographic fiends? Why do they "shoot to kill"? By what supernatural means do they convert the innocent into bloodthirsty monsters?
Such basic questions never disturb the imagination of our filmmaker. Instead, the bulk of the movie concerns the villagers' unreasonable reactions to their increasingly troubling plight: e.
Alrighty then. After hours of confusion, the question boils down to whether the devil is an aged Japanese man who lives in the nearby forest.
Best to stick with the tried and true, I guess. Technically, the film is a slop-fest with minimal evidence of editing. I would definitely have resorted to fast-forwarding had I been watching it alone; many scenes were the cinematic equivalent of enduring a simpleton windbag use tortuous explanations for the most insignificant conclusions.
This sort of inadvertent surrealism sums up the movie for me. So why the decent reviews on this site? That's hard to answer.
It seems that a certain number of reviewers are just big Korean film fans, and maybe this attachment impedes their judgment.
That said, I'm a Korean film fan myself. Now that's a scary film you won't want to forget. I loved The Chaser, The Yellow Sea and of course Memories of Murder and while Horror isn't really my genre I'm willing to go on a hell-raising roller-coaster ride to unravel the frightening intrigues that this film promises.
From all the reviews, the forum discussing what really happened, YouTube "spoiler" videos clarifying the loose ends and the chatter in the cinema when the credits start to roll, it is quite clear that the audience are mostly left greatly mystified rather than delivered by a well-resolved end moment when pieces of the puzzle start to fall together in a satisfying manner.
Fans of mystery understand the need for red herrings, unexplained characters and details that throw the scent off and suggest multiple possibilities, but in this movie, they remain glaring plot holes and still don't make sense even by the end when the answer to the mystery is all but apparent.
More like leads down the garden, or rather, mountain path It is especially frustrating as the movie is long, there's little build-up to the horrors, few techniques that could be effective in moving the story-telling along were used and the terrifying moments become repetitious and drawn-out.
Many of these repetitious scenes could have been cut to focus instead on the background to some of the key characters, not only to increase audience understanding of the families, the cultural context, religious beliefs and superstitions but to help to make the final conclusions comprehensible in flashback Acting was really good, which is the high point of the movie for me.
That's what the 5 is for. Shame the talent wasn't put to more effective use, as the story has great potential. His partner tells a gossip for him that a Japanese stranger Jun Kunimura that lives in a secluded house in the mountains would be an evil spirit responsible for the illness.
Jong-Goo decides to visit the Japanese with his partner and a young priest that speaks Japanese. They find an altar with a goat head and pictures of the infected people that died on the walls.
However they are attacked by the guard dog and they only can leave the place when the stranger arrives.
Jong-Goo finds one shoe of his beloved daughter Hyo-jin Hwan-hee Kim in the house of the stranger and soon she becomes sick.
His mother-in-law summons the shaman Il-gwang Jung-min Hwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is the responsible.
Who might be the demon that is bringing sickness to Goksung? Despite the promising and original premise, the screenplay is confused and maybe the translation is not totally correct.
Or maybe the situations make sense in accordance with the South Korean culture. The conclusion is confused and it seems that Goksung is under attack of demons that wins the battle.
My vote is five. Title Brazil : Not Available. The little girl was very good in this movie, the locations and cinematography were very pleasant and atmospheric, plus the makeup effects were very high quality.
There are a few issues however. The first issue is the blatant racism. The "Jap" who lives near the village is insinuated as the cause of the horrific scenes unfolding before the villagers; No particular reason why this is so; it's just that he's a Japanese man- who apparently turns out to be the devil I think , and that's good enough reason thank you very much!
Next, after what felt like 2 hours already, we are led to believe it wasn't the "Jap", but some girl But then after another 50 minutes it wasn't her, but the "Jap" anyway..
By this point he turns into the devil I assume he was- my brain was numb by this point, so I was eyeing the exit sign mostly.
Basically it is way, way, way too long. Lastly, why do the characters treat each over so poorly? Almost every line in this is an aggressive bark.
It's very unpleasant to watch for 2 and a half hours. Like I mentioned, the young actor was very, very impressive as the exorcist style demonic possessed little girl- but with everyone around her acting like complete pricks the whole movie, it's not as effective as the original.
All up, not a bad movie- ambitious and effective at key points, but I would have preferred to watch this in 2 or 3 sittings on DVD, and preferably with a couple of paracetamols on hand.
Maybe I'm too sensitive. I never saw any real explanation for anything that happened. And I never figured out the purpose or motivation of several of the main characters.
There was a shaman who never really accomplished anything, a priest who seemed to have no purpose in the show at all, a Japanese man who is the target of blatant racism this is apparently his only purpose , and a woman who seems to be important at the end but we have no idea why she's important or who she is.
There is an implication or direct accusation that evil is targeting this one man because of his sin, but it hits lots of other people before it touches him.
The end is a total mess - very tense, they do try to keep you on the edge of your seat, but the issue with the unclear characters bothered me too much to really enjoy the movie.
This movie is a revelation, being a fan of Ha Hong-Jin's who had previously directed two of the best thrillers of recent memory The Chaser and The Yellow Sea i had great expectations for this but as I was watching I knew that this is going to be something else, it looks like an urban legend of some kind but I'm not sure, the exorcism scene in this made me jump from my seat.
The movie takes place in a small village in south Korea, a policeman is investigating a series of murders but then more strange things start to happen, people losing their minds, Houses burning, suicides I had mirrored the bored impassive face of the main character Jong-goo within five minutes of this film starting and thus remained for the next two and half hours.
There lies the first issue. Jong-goo is set up as a bumbling, oafish, bored gluttonous cop for the first half hour and in this he carries some comedic merit, we warm to him slightly as a family man just muddling through.
When the unscary scariness ensues however, I found I was only left with the two moulds of reaction he'd left me - comedy or impassivity.
There was nothing new in this film. We saw tired bloody chinned zombies going for the throat whilst shouting. This was farcically amusing for two seconds then boring then annoying.
We saw an Asian child who shouted and cried a lot. Children have been used as scary tropes a million times and this director seemed to be dimly aware of that notion so just put one in hoping it was then scary.
It was not. The irritating infant should have just been put in a box to contain it but somehow managed to run the show and kill about three people.
Modernity and myth are not comfortable bed fellows and this was exemplified in jarring fashion by a mobile savvy Shaman in this film. We should at least have been jarred by some images of the supernatural but unless you count some pathetic Jim Hensonesque work at the end, this was absent.
Criminally overlong and unscary meant my pulse actually slowed as the film progressed. I would have wailed had I had the energy. The Wailing was an excellent effort and I badly wanted to enjoy it given the way critics have been raving.
Instead, it left me frustrated and praying for the end credits repeatedly. I sort of liked the ending and the atmosphere of the film was fantastic, but overall it fell short of being truly enjoyable.
I saw it twice in order to understand what spoiled the experience for me, and upon contemplation I think it was because the film, overall, lacked focus.
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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Soon after a stranger arrives in a little village, a mysterious sickness starts spreading.
A policeman, drawn into the incident, is forced to solve the mystery in order to save his daughter. Director: Hong-jin Na. Writers: Hong-jin Na screenplay by , Hong-jin Na.
Added to Watchlist. From metacritic. Cannes Out of Competition. Horror s. To See: Best korea movies. Share this Rating Title: The Wailing 7.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Do-won Kwak Jong-goo Jung-min Hwang Il-gwang Jun Kunimura Japanese Man Woo-hee Chun The Mysterious Woman Hwan-hee Kim Hyo-jin Jin Heo Mother-in-Law So-yeon Jang Wife Do-Yoon Kim Yang Yi-sam Kang-gook Son Oh Sung-bok Seong-yeon Park